When the Pawn hits...
Fiona Apple
Sony/Epic
Fiona Apples second effort screams concept album. The title, after all, is 89 words longer than her debut, Tidal, and it even rhymes.
Even worse, the music on When the Pawn hits
swallows itself into a conceptual black hole early on. On the Bound leads off the album with a good groove and To Your Love is an ugly melody thats somehow catchy, but what follows is a whole lot of sameness. Calling the meat of this one a drag is an understatement.
Fortunately, things pick up in the end and never really level off again. The first single Fast as you can is as close as Apple will ever get to scatting, and The Way Things Are and Get Gone are great vehicles for Apples awesome voice and lyrical capabilities.
If it seems like Pawn sounds a lot like Tidal, its because it does; musically, Apple hasnt changed too much in three years, a frustrating feat considering her obvious gifts and potential. But until Apple drops the bomb shes destined to unleash, this topsy-turvy effort will fit the bill nicelyfor a while, anyway.
Original Motion Picture Soundtrack
Fight Club
Featuring music by the Dust Brothers
(BMG/Restless)
Stylish to a T, Fight Club the movie is a multimedia palette for both the eyes and the ears, full of visual and audible twists, beats and ooh-la-las. Unfortunately, Fight Club the soundtrack isnt so exciting.
Give the Dust Brothers credit for trying to make a soundtrack that isnt simply 15 stupid hits from 15 stupid one-hit wonders. But the same music that carried some of the movies best moments sounds awfully hush-hush here without their dramatic cues, and the final result is surprisingly empty. For those who want a souvenir, pick up a movie poster instead.
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